#3

Feedback

Edited by Adam Pultz Melbye

Feedback: Introduction

Adam Pultz Melbye

Feedback and materiality on the spatial and energetic planes

Scott McLaughlin

Feedback and the Loss of Control in "Possession"

Marcus Whale

A continuously receding Horizon

Adam Pultz Melbye

Feedback, Modularity, and the Global Subjects of Electronic Soundmaking

David Novak

Late Realizations

You Nakai

Cybernetic Feedback Processes in Music-Theatre Practice: The Im-Medea Cycle

Thanos Polymeneas-Liontiris, Eugenia Demeglio

Artist statement

Roll, Pitch and Yaw

Nicolas Collins

Making a pitch map for a vibrotactile feedback instrument

Øyvind Brandtsegg

A Relational Ontology of Feedback

Agostino Di Scipio

Towards the formalisation of structurally-coupling performance modalities and interfaces in human-machine interaction

Dario Sanfilippo

Patterns of emergence and feedback topology in Ecos Study

Ricardo Thomasi

Exploring Sinew0od

Mattias Petersson, Robert Ek

Artist statement

The future: another scale of feedback?

Mario van Horrik, Petra Dubach

Artist statement

Brushing II

Jaehoon Choi

Artist statement

Acoustic Pendulum

Virgile Abela

Imprint

Editor

Adam Pultz Melbye

Date

31 January 2022

DOI

doi.org/10.47041/ECHO.3

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