Martina Bertoni

Martina Bertoni is a Berlin-based composer, experimental cellist and educator, whose work sits at the friction point between emotion and architecture, crafting soundscapes where control and resonance become fluid entities. Her practice interrogates sound's capacity to reshape perception through electroacoustic composition, generative systems, drone minimalism, and destabilised tunings, often employing timelessness as a compositional framework.

Her research lies at the intersection of embodied sound practices and post-instrumental identity, understood as an ongoing process of becoming. This inquiry shapes her most recent album, Electroacoustic Works for Halldorophone (Karlrecords, 2025), which expands a discography that includes All The Ghosts Are Gone (Falk, 2019), Music for Empty Flats (Karlrecords, 2021), and Hypnagogia (2023).

Beyond her artistic practice, Martina’s cello and original works have been featured in numerous soundtracks for films, series, and documentaries.
She is currently a Lecturer at the Department of Music at Catalyst Institute for Creative Arts and Technology in Berlin.

martinabertoni.com